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Unvarnished Stories of the Lost
… “Gone” is that genuinely rare thing on TV: unpredictable.
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Review: ‘Dark Net’ Explores the Digital Age’s Toll on Us
“…uses examples of unsettling digital phenomena to ponder larger questions, like whether and how the digital age might be changing us as a species.”
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‘Dark Net’: TV Review
“Showtime’s troubling and compelling new docu-series treads into the deepest, darkest corners of the Internet.”
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Boston’s Finest: TV Review
“Boston’s Finest is a sleek and engaging work…a series that feels almost scripted, in the best of ways…”
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Boston’s Finest: An Homage to Law Enforcement
“Boston’s Finest is a welcome sight… refreshingly free of reality TV’s more insipid and manipulative dramatic tricks.”
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Dark Matter: A Tale of Power and Intrigue in the Lab, Based on Real Life
“At the Sundance Film Festival, Dark Matter, a fictional account inspired by the shootings [at the University of Iowa], won the Alfred P. Sloan Prize for the best feature film dealing with science or technology…”
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Sundance: The Sweet Smell of Success
“Dark Matter, an elegant debut feature by the distinguished opera director Chen Shi-zheng was the strongest of the fiction films I saw.”
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Dark Matter
“Shebar, Chen and particularly Liu Ye, who gives a quietly powerful performance as Liu Xing, show how cultural dislocation can result in tragedy, and will continue to do so in our increasingly globalized society.”
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The Cultural Divide, in Cosmology and Life
“Dark Matter, directed by Chen Shi-Zheng from a screenplay by Billy Shebar, is a movie of ideas that does an exemplary job of translating scientific speculation into layman’s language.”
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Reform School
“New York filmmaker Bill Shebar is making a short documentary about SAGE, and he showed me his footage of Hotaling and two other former prostitutes speaking to rows of men at john school…”